The Brooklyn Horror Film Festival (BHFF) announced on Tuesday the full program for its 2025 incarnation, running 10 days this year in celebration of its 10th anniversary. The Festival will run from October 16 to 25, with all screenings held at Nitehawk Cinema in Williamsburg. Audiences are in for a jaw-dropping lineup of films and events, including a special screening of Ernest Dickerson’s cult classic “Tales from the Crypt Presents: Demon Knight” with the Leviathan Award Ceremony, honoring his film career.
The Opening Night film is Tina Romero’s award-winning, Brooklyn-set horror-comedy “Queens of the Dead.” The 2025 festival boasts the world premieres of Adam MacDonald’s zombie feature, “This Is Not A Test,” and Connor Marsden’s blood-soaked thriller, “Violence.” The Festival will also feature the North American Premiere of Johanna Moder’s paranoid motherhood horror film “Mother’s Baby.” Other highlights include Avalon Fast’s mesmerizing sophomore feature “Camp” as the Festival’s Centerpiece Film.
This year’s Closing Night feature is the ultra-violent and fast-paced “Karmadonna” from director Aleksandar Radivojevic. Additional highlights include horror/sci-fi icon Bryan Fuller’s weird and whimsical new feature “Dust Bunny;” Kenichi Ugana’s strange and disturbing new feature “Incomplete Chairs;” a screening of the first three episodes from season two of “The Creep Tapes;” alumni Alice Maio Mackay’s latest feature “The Serpent’s Skin;” Robbie Banfitch’s latest found footage feature “Tinsman Road;” and Julie Pacino’s fever dream “I Live Here Now.”
The Festival’s signature sidebar programs return, starting with “Fear In Focus: Black Horror,” which includes the North American premiere of James Ross’s “Parasomnia,” as well as retro screenings of “Def By Temptation” and “Bugged!”
There will also be a sidebar for “ZOMBIES!,” which includes the 1974 blaxploitation film “Sugar Hill” screening on 35mm, a 4K restoration of “Bride of Re-Animator” in honor of its 35th anniversary, and the theatrical premiere of the uncut version of Tom Savini’s remake of the George A. Romero classic “Night of the Living Dead.”
Animated horror gets a spotlight with “Drawing On Fear,” featuring a trio of heavy-hitters: the 1973 Japanese masterpiece “Belladonna of Sadness,” the 1981 cult classic anthology film “Heavy Metal,” and the remarkable Czechoslovakian stop-motion dark fantasy “The Pied Piper.”
The Miskatonic Institute of Horror Studies will also return with a pair of special lectures: “Excessive Life: The Uncanny Vitality of the Zombie” from David Bering-Porter, an Assistant Professor at The New School, and “On Becoming a Horrifying Woman: Psychedelic Horror, Women’s Empowerment, and Belladonna of Sadness” from “That Very Witch: Fear, Feminism and the American Witch Film” author Payton McCarty-Simas.
The full program is available now at https://brooklynhorrorfest.com/. Festival badges are now on sale, and a limited number of individual tickets will go on sale this Friday, September 12, at 12:00 p.m. EST.
