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Amazon Releases Trailers for Next Four Horror Films in the ‘Welcome to the Blumhouse’ Series

Asjha Cooper, Frabrizio Guido and Mason Beauchamp in Black As Night

On Tuesday, Amazon Prime Video released the individual trailers for the next four films in its “Welcome to the Blumhouse” series, developed and produced by Blumhouse Television and Amazon Studios for Prime Video as Amazon Prime Originals.

The films will premiere as double features starting with “Bingo Hell” and “Black As Night” on October 1 and then “Madres” and “The Manor” on October 8 on Amazon Prime Video.

Check out each of the trailers below:

Bingo Hell


Directed by Gigi Saul Guerrero, “Bingo Hell” is a wickedly original horror movie with a fiendishly funny twist. After 60-something neighborhood activist Lupita (Adriana Barraza) discovers that her beloved local bingo hall has been taken over by a mysterious businessman named Mr. Big (Richard Brake), she rallies her elderly friends to fight back against the enigmatic entrepreneur. But when her longtime neighbors begin turning up dead under grisly circumstances, Lupita suddenly discovers that gentrification is the least of her problems. Something terrifying has made itself at home in the quiet barrio of Oak Springs, and with each new cry of “Bingo!” another victim falls prey to its diabolical presence. As the cash prizes increase and the body count steadily rises, Lupita must face the frightening realization that this game is truly winner-takes-all.

Black As Night


Directed by Maritte Lee Go, “Black as Night” is an action-horror hybrid with a strong social conscience and a biting sense of humor. Fifteen years after Hurricane Katrina ravaged New Orleans, a new threat leaves its mark on the Big Easy in the form of puncture wounds on the throats of the city’s vulnerable displaced population. When her drug-addicted mom becomes the latest victim of the undead, 15-year-old Shawna (Asjha Cooper) vows to even the score. Along with three trusted friends, Shawna hatches a bold plan to infiltrate the vampires’ mansion in the historic French Quarter, destroy their leader, and turn his fanged disciples back to their human form. But killing monsters is no easy task, and soon Shawna and her crew find themselves caught in a centuries-old conflict between warring vampire factions, each fighting to claim New Orleans as their permanent home.

Madres


Directed by Ryan Zaragoza, “Madres” tells the story of Diana and Beto, a young Mexican-American couple expecting their first child, who move to a small town in Northern California where Beto has been offered a job managing a farm. Isolated from the community and plagued by ominous nightmares, Diana explores the rundown company ranch where she and Beto live and finds a grisly talisman and a box containing the belongings of the previous residents. Her discoveries will lead her to a truth much stranger and more terrifying than she could have possibly imagined.

The Manor


Directed by Axelle Carolyn, in “The Manor,” when a sudden stroke diminishes her ability to care for herself, 70-year-old Judith Albright (Barbara Hershey) moves to Golden Sun Manor, an assisted-living facility with a sterling reputation. But despite the best efforts of the staff, and a budding friendship with fellow resident Roland (Bruce Davison), strange occurrences and nightmarish visions convince Judith that a sinister presence is haunting the historic estate. As patients begin to die mysteriously, Judith’s frantic warnings are dismissed as pure fantasy. Even her devoted grandson Josh (Nicholas Alexander) thinks her fears are the result of dementia, not demons. With no one willing to believe her, Judith must either escape the confines of the manor, or fall victim to the evil that dwells within it.

The next four films in the “Welcome to the Blumhouse” series will complete the eight-film program, which kicked off in 2020 with the release of “The Lie,” “Black Box,” “Evil Eye,” and “Nocturne.” The first four films centered around family and love as a redemptive or destructive force. The final films in the series will be centered around themes of institutional horrors and personal phobias.

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